The photographs of Claudio Koporossy, understood as a “magnificent obsession” by Giordano Bruno Guerri, arrive in Ferrara, in the Palazzina Marfisa from the Vittoriale degli Italiani. They are inner visions cultivated along the still time of the cloister, to define fleeting and ephemeral forms in nature, where reality exists just for a moment. It exists only in the photo shoot: and the obsession is not in Koporossy’s mind but actually in the new, non-existent reality that rises and lives only in photography.
Vittorio Sgarbi
President of “Ferrara Arte”, Critic of Art and Deputy at the Italian Parliament