L’anima dell’acqua

Visionary ability or stripped reality? Both traits co-exist and compensate each other in Koporossy through the forms appearing in his photographic rendering, suggestive visual episodes which will never let the first actor – he, the user of the work, even if the most distracted – be a passive spectator. When stopping in front Koporossy’s artistic photos, it becomes extremely complicated not to get involved – even just for a moment – with the emotion indicating that this is the sense of the vision, as it is of life: to seize the moment and then move on, enriched and perhaps improved in one’s humanity, because Beauty makes men better and, above all, free.

Mimma Sardella
Historian and Critic of Art